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  • A History of Ablaut in the Strong Verbs

A History of Ablaut in the Strong Verbs

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Excerpt from A History of Ablaut in the Strong Verbs: From Caxton to the End of the Elizabethan Period This dissertation is an attempt at a history of ablaut in the strong verbs from Caxton to the Elizabethan Age inclusive. By the Elizabethan Age I mean that epoch in English literature which may be said to have closed with the death of Ben Jonson in 1637. My method has been to examine the works of the great writers of prose and verse, and then, in order to see how far the usages of these men were peculiar to themselves and how far they were advanced or conservative, I have examined a large number of works of every variety and standing in prose, verse and the drama. Next, in order to see what difference print made, to determine how wide the gulf may have been between literary and colloquial use and to find out, if possible, what people really said in everyday life, I have examined letters, diaries and other MSS. which have not been printed till our own day. Unless I have stated the contrary in my List of Books Used, I have taken out every form from the works in question and estimated the frequency of its use. The material thus brought together was found to be much too large for the limits of a dissertation for the doctorate, so I have merely given a summary of results, and partly complete lists of certain forms. The whole of the material has been deposited in the Library of the English Seminar at Bonn, and it will be easily accessible to any scholar who wishes to make further researches on this subject. I have arranged the Classes on Sievers' system. The forms of each verb have been given under three headings: Infinitive, Preterite, Participle. Under Infinitive I have included all the forms of the present stem. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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