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  • Art in the Making

Art in the Making

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This special issue publication of the Journal of Archaeological Method and Theory devoted to Pleistocene and Holocene arts examines a number of recent developments in the study of deep-time images. The contributions argue that in a context marked by new technological advances, the study of what was traditionally known as `prehistoric art¿ has been transformed into a dynamic area of research marked by four main interrelated processes: (A) the inclusion of new corpuses of images beyond traditional conceptualizations of `prehistoric¿ art, (B) the shift from a `contemplative model¿ (which treated images and artefacts as `already made art¿) to a `construction model¿ that focuses on the processes involved in the making of artwork, (C) the transition from a Eurocentric model to a worldwide paradigm, and (D) the increasing incorporation of Holocene and Indigenous arts into general discussions about `prehistoric¿ arts.  This text appeals to students and researchers in the field. Previously published as a Special Issue in the journal: Journal of Archaeological Method and Theory "Art in the Making"Chapters Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe, Chapter An Archaeology of Affect: Art, Ontology and the Carved Stone Balls of Neolithic Britain, and Chapter Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access? are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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