Aunt Dinah's Quilting Party (Classic Reprint)

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Excerpt from Aunt Dinah's Quilting Party Robert Hunter. Stylish light sack suit, silk negligée shirt, low-cut patent leather shoes. Deacon Peabody. Dark trousers, outing flannel shirt, linen duster, turn-down collar, highly-colored tie, large hat, gray hair, spectacles. Mr. Goodboy. Black clerical suit, black hat. Reuben Holdcraft. Striped trousers, cutaway coat, white waist-coat, laundered shirt, red tie, red hair, very high collar, straw hat. Freddie. Short trousers, shirt-waist, turn-over collar, heavy shoes, cap. Dinah Peabody. Dark home dress, white apron, white collar and cuffs, very neat, iron-gray hair, spectacles. Miranda Spriggins. Blue skirt, pink shirt-waist, green jacket, low-cut shoes, red stockings, auburn curls, large hat, profusely trimmed with flowers. Grandma Pepper. Gray dress, full skirt, tight waist, white mull cap, and kerchief crossed over bosom, black silk apron, gray hair, spectacles, rusty black bonnet trimmed with purple flowers. Mrs. Martin. Flowered chintz dress, white lace collar, frizzed hair, florid complexion, large, aggressive, very imposing hat. Mrs. Spooner. Widow's weeds. Mrs. Doolittle. Mrs. Parker. Dark skirts, shirt-waists, jackets, hats. Mrs. Mark. Hetty Peabody. Light lawn dress, white, lace-ruffled, ribbon-trimmed apron, very trim and pert. Cicely Martin. White dress, pink ribbons, large white hat. Nellie Sanderson. Very stylish travelling costume, can change to white dress for second entrance if desirable. Girls. Dainty lawns, bright ribbons. Boys. Ordinary costumes. As seen by a performer on the stage, facing the audience. R. means right hand of stage, L., left of stage, C., centre of stage, U., up toward rear, D., down toward the footlights, R. C., right centre, L. C., left centre. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.