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  • Creating the Divine Artist: From Dante to Michelangelo

Creating the Divine Artist: From Dante to Michelangelo

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An investigation of why Michelangelo first, and then many other, Renaissance artists and works were called "divine" by contemporaries, this study ranges from fourteenth-century praise of Dante to a variety of sixteenth-century habits of courtly compliment.
Folgt in ca. 15 Arbeitstagen

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192,00 CHF

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