Criticism and Beauty

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Excerpt from Criticism and Beauty: A Lecture RewrittenIt had to be published immediately, so that correction was impossible. But in any case no mere correction could have remedied its defects. Fortune, which gave me no leisure for writing before the lecture was delivered, has given me a few weeks since. I have employed them in putting what I desired to say in a form in which I h0pe it will at least be possible to understand it.Let me add that writers on the subject I have chosen have to use a most defective terminology. At every turn its poverty hampers them. The familiar word, often the only word, is too often the wrong word. There is, for instance, no ex pression which, according to everyday usage, describes the poet, the writer of literary prose, the painter, the sculptor, the musician, the architect and, let me add, the historian. There is no term which describes their works. I have commonly used for these purposes the expressions 'artist', 'art': and it is thus that these words must be understood unless the context forbids it.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.