Dead Yesterday (Classic Reprint)

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Excerpt from Dead YesterdayLondon in August is a mistake, " said Ned Coventry, relighting his pipe as he stretched himself in a yet more comfortable attitude in the deep armchair and moved his glass within easier reach.No one seemed disposed to take up so obvious a truism. Gertrude Fenner, curled up on the floor, was turning over the pages of a weekly with contempt on her expressive face. She was a small, dark creature, with angry eyes and a petulant, unhappy mouth."London's always a mistake, " she said. "I suppose you'd say Berlin is better, Mallard?" She glanced at a pale undersized young man, with large gold spectacles and a bulging forehead, seated on the window-sill, his dangling short legs showing large ugly boots and rumpled socks above them.Mallard Floss did not reply, and Gertrude returned to her paper.Although all the windows were open, the air outside was hot and breathless: over the room clouds of pipe and cigarette smoke hung thick. Across the dull roar of London and the sharper sounds of the horns of taxis speeding along Fleet Street, came the boom of a distant clock. Half-past eleven. No one stirred. They knew each other too well, these half-dozen, and met too constantly to make social exertions at any time, and on this particular evening no one seemed in the mood for talk.The evening had begun with a play. The play had been a failure. Every one had been bored.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.