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  • Dynamics of Constraints

Dynamics of Constraints

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Three essays express some fundamental issues addressed by ORCiMs research group focusing on the musicians relation to notation. Paulo de Assis argues that critical editions should generate critical users, Mieko Kanno contemplates the rapid expansion of the use of electronics in contemporary music. Juan Parra Cancino points toward a kind of composition whereby the performing and the listening experience dont aim to achieve a final version of the piece.
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