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Excerpt from Homer: The Odyssey
The character of the two poems is, indeed, essentially different. The Iliad is a tale of the camp and the battle-field: the Odyssey combines the romance of travel with that of domestic life. The key-note of the Iliad is glory: that of the Odyssey is rest. This was amongst the reasons which led one of the earliest of Homer's critics to the conclusion that the Odyssey was the work of his old age. In both poems the interest lies in the situations and the descriptions, rather than in what we modems call the plot. This latter is not a main consideration with the poet, and he has no hesi tation in disclosing his catastrophe beforehand. The interest, so far as this point is con cemed, is also weak ened for the modem reader by the intervention through out of supernatural agents, who, at the most critical turns of the story, throw their irresistible weight into the scale. Yet, in spite of this, the interest of the Odyssey is intensely human. Greek mythology and Oriental romance are large ingredients in the poem, but its men and women are drawn by a master's hand from the actual life, and, since in the two thousand years between our own and Homer's day nothing has changed so little as human nature, therefore very much of it is still a story of to-day.
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