Japanese Collections

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Excerpt from Japanese Collections: Frank W. Gunsaulus Hall In the premature death of Dr. Frank W. Gunsaulus this Institution has lost a devoted trustee and one of its warmest friends and most eloquent spokesmen. With his universal understanding and breadth of sympathy he has been a vital source of inspiration to the Department of Anthropology in particular. His many gifts to the museum testify to the wide range of his interests, his artistic taste, and his discriminating judgment. The oriental collections were enriched by him with two valuable Chinese embroidered panels, a precious rosary of amber beads, Persian glazed tiles, a celadon flower-vase, and a remarkable ethnological collection from the aboriginal tribes of Formosa, which is unique in this country. Above all, however, his interests were directed toward Japan. He indeed it was who made the first substantial contributions to the foundation of a Japanese division. An exquisite painted screen of the Tosa school, an extensive collection of sword-guards and sword-fittings, as well as a collection of books on Japanese art, belong to his prominent bequests. The collection of surimono, presented last year by his daughter in her father's memory, was brought together by her with his invaluable assistance. His profound interest in the achievements of oriental nations was not purely academic, but he was also actuated by a strong desire for a better understanding, between America and Japan and an earnest striving toward the realization of world peace. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.