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  • Milton's Fame on the Continent (Classic Reprint)

Milton's Fame on the Continent (Classic Reprint)

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Excerpt from Milton's Fame on the Continent Milton was mentioned, but not as a poet, by P. Costar in his Memoire des gens de lettres celebres des pays étrangers and the Comte de Comminges, Louis XIV's ambassador at the court of Charles II, made, in 1663, his famous report to his royal master to the effect that the arts and sciences had passed to France, and that, if there were any vestiges left in England, 'ce n'est que dans la memoire de Bacon, de Morus, de Bucanan et, dans les derniers siecles, d'un nomme Miltonius qui s'est rendu plus infame par ses dangereux cerits que les bourreaux et les assassins de leur roi'. The lexicographers, C. Funccius, G. M. Konig, C. Gryphius, and V. Paravicini, give Milton brief notices in their biographical works, but they know him only as a political agitator, and especially as the author of Pro Populo Anglicano Defensio, a book to which universal attention had been drawn on the Continent by the fact of its having been publicly burned at Paris and Toulouse. In 1697, Bayle honoured Milton by devoting to him three pages of his Dictionary, this being the only English poet mentioned in the work. Still, it is obvious that it was not Milton the poet, but Milton the political writer, in whom Bayle was interested, and he was content to repeat at second hand that Paradise Lost 'passe pour l'un des plus beaux ouvrages de poésie que l'on ait vu en anglais', Paradise Regained being 'not nearly so good'. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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