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- Moulding the Socialist Subject: Cinema and Chinese Modernity (1949-1966)
Moulding the Socialist Subject: Cinema and Chinese Modernity (1949-1966)
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In Moulding the Socialist Subject, Xiaoning Lu discusses how a diversity of film genres, movie star culture, and film exhibition practices contributed to the Chinese Communist Party's political project of shaping ideal socialist citizens in the early People's Republic.
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