Notation, Transcription, visual Representation

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Contents: Articles Marin Marian-Balasa: Who Actually Needs Transcription? Notes on zhe Modern Rise of aethod and the Postmodern Fall of an Ideology Rytis Ambrazevicius: The Perception and Transcription of the Scale Reconsidered: Several Lithuanian Cases Triinu Ojamaa: Throat Rasping: Problems of Visualisation Regine Allgayer-Kaufmann: From the Innocent to the Exploring Eye: Transcription on the Defensive Gerd Grupe: Notating African Music: Issues and Concepts Wim van der Meer: Visions of Hindustani Music Nicolas Magriel: Visualising North Indian Music: Looking at Khyal Songs Frank Kouvenhoven: Transcribing "e, Time"e, in Chinese Non-measured Songs Book Reviews (Tina K. Ramnarine, ed.) Daniel Avorgbedor: Charry, Eric. Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africasi> Tong Soon Lee: Matusky, Patricia, and Tan Sooi Beng. The Music of Malaysia: The Classical, Folk and Syncretic Traditions Jonathan McIntosh: Stige, Brynjulf. Culture-Centered Music Therapy Katherine Butler Brown: Ruckert, George E. Music in North India: Experiencing Music, Expressing Culture - Viswanathan, T., and Allen, Matthew Harp. Music in South India: Experiencing Music, Expressing Culture Recording Reviews (Gregory F. Barz, ed.) Geoffrey Whittall: Masters of the Balafon: (1) Friend, Well Come!, (2) The Joy of Youth, (3) The Wood and the Calabash. Produced by Hugo Zemp. Selenium Films About the Contributors