Postcolonial African Cinema

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Using Zizek, Badiou, and a range of Lacanian and postmodern-based approaches, Harrow attempts to redefine the possibilities of an African cinematic practice - one in which fantasy and desire are placed within a more expansive reading of the political and the ideological. The major works of Sembene Ousmane, Djibril Diop Mambety, Souleymane Cisse, Jean-Pierre Bekolo, Jean-Marie Teno, Bassak ba Kohbio, and Fanta Nacro are explored, while at the same time the project of current postmodern theory, especially that of Jameson, is called into question in order that an African postmodernist cultural enterprise might be envisioned.

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