Progress in Art and Architecture, With Precedents for Ornament (Classic Reprint)

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Excerpt from Progress in Art and Architecture, With Precedents for OrnamentThe substance of the following pages was prepared originally in the form of a consecutive series of papers, to be read before the Architectural Association of London during its subsequent sessions, and portions have already appeared in several of the professional journals at the time of their delivery: they are now, however, for the first time presented to the public in the manner in which it was always designed that they should be united, and have been likewise most carefully revised, while many parts have been entirely re-written. The interest attached to the subjects treated of in them has, I apprehend, in nowise become diminished in the interval that has elapsed since the papers were first delivered, nay, I venture to hope that the principles which are contended for therein have, since that time, gradually leavened both the profession arid the public, urged powerfully, as they have been, by authors of whom the age may justly be proud, and whose talents Art may be thankful to have enlisted in her service, in the wake of whom I fear it seems presumption in me to launch so humble a bark but as it often happens that an echo is heard when the voice which gave it birth passed unnoticed, so perhaps some may be induced to listen even to my feeble remonstrance, whom prejudice has prevented from receiving the truth from another and a better quarter or at least I hope.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.