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- Representative One-Act Plays by American Authors
Representative One-Act Plays by American Authors
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Excerpt from Representative One-Act Plays by American Authors: Selected, With Biographical Notes
This collection contains twenty-five of the most significant one-act plays of the Little Theatre movement in America. Some of them have not been previously printed, others have been out of print for some time or are inaccessible. I have made the collection in the hope that by bringing them together in one volume they will not be immediately lost. Although the war has for a moment scattered many of the Little Theatres and stunted the growth of the new play form, it is because the art is now at a pause that it may be more easily surveyed.
While there are many who believe that one-act plays are more or less frivolous and ought to be enjoyed rather than analyzed, I have taken the liberty, in this collection, of being serious. Too often the frothy one-act play has been exploited and the sincere effort overlooked, but it is indeed true that beneath the movement as a whole there exists a purpose worthy of serious consideration.
During the last few years, both here and abroad, there has been discussion of the one-act play which has been feeling toward the establishment of the one-act form as a new and distinct type. The few who have written about it are agreed that the one-act play is properly analogous to the short-story, that it is quite as rigid a form, and that it is as different a type from the longer play as the short-story is from the novel. It cannot, if a good one-act play, be either expanded into three acts or condensed from the longer play without a loss. Because of this integrity, the one-act play is an art form, tending toward a perfect whole, and therein lies its contrast to the playlet of vaudeville and to the curtain raiser.
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