Richard Wagner

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Excerpt from Richard Wagner: Composer of OperasIT is now one hundred years Since Richard Wagner was born, thirty since he died. In every land he has his monument in one shape or another, his music-dramas can be heard all the world over, all the ancient controversies as to their merits or demerits have died down. The Bayreuth theatre, the outward and visible Sign of his inner greatness, has risen to the point of its most splendid glory and lapsed into the limbo of tenth-rate things. Every one who really cares for the art of music, and especially the art of opera (of which art music is by far the most important factor), has had ample time and opportunity for making up his mind. It is, therefore, high time to simplify and to cease from elaborating. In this book will be found, I trust, no special pleading, no defence or extenuation, no preposterous eulogy on the one hand, and on the other no vampire work, but a plain and concise attempt to depict the mighty artist as he lived and to describe his artistic achievement as it is. We have all had time to consider and to sort out (so to say) the reams that have been written and printed about Wagner: the bulk of it has had to be thrown on the scrap-heap: what there was of value has, I hope.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.