Sir Brook Fossbrooke, Vol. 3 of 3 (Classic Reprint)

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Excerpt from Sir Brook Fossbrooke, Vol. 3 of 3 The Horatian garden, and the Roman house - conceits of an old Lord Chancellor in former times, and once objects of almost veneration in Sir William's eyes - have been swept away, with all their attendant details of good or bad taste, and in their place a fountain has been erected, for whose aquatic displays, be it noted in parenthesis, two horses and as many men are kept in full employ. Of the wild old woodland walks - shady and cool, redolent of sweet-briar and honeysuckle - not a trace remains, driving-roads, wide enough for a pony-carriage, have been substituted for these, and ruthless gaps in the dense wood open long vistas to the eye, in a spot where once it was the sense of enclosure and seclusion that imparted the chief charm. For so is it, coming out of the din and bustle of a great city, there is no attraction which can vie with whatever breathes of tranquillity, and seems to impart peace by an air of unbroken quiet. It was for this very quality the Priory had gained its fame. Within doors the change was as great as without. New, and, be it admitted, more comfortable furniture had replaced the old ponderous objects which, in every form of ugliness, had made the former decorations of the rooms. All was now light, tasteful, elegant. All invited to ease of intercourse, and suggested that pleasant union of social enjoyment with self-indulgence which our age seems to cultivate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.