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- Sound in the Ecstatic-Materialist Perspective on Experimental Music
Sound in the Ecstatic-Materialist Perspective on Experimental Music
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What does a one-hour contemporary orchestral piece by Georg Friedrich Haas share with a series of glitch-noise electronic tracks by Pan Sonic? This book proposes that, despite their differences, they share a particular understanding of sound found across several quite distinct genres of contemporary art music: the Ecstatic-Materialist perspective.
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