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  • Steeplejack, Vol. 1 of 2 (Classic Reprint)

Steeplejack, Vol. 1 of 2 (Classic Reprint)

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Excerpt from Steeplejack, Vol. 1 of 2 The avowals of a Steeplejack! Why shouldn't a steeplejack make avowals? It is a dangerous occupation and, oddly enough, one in which the higher you mount the lower you fall, socially. Yet a steeplejack, humble as is his calling, may be a dreamer of daring dreams, a poet, even a hero. I, who write these words, am no poet, but I have been a steeplejack. I have climbed to the very top of many steeples the world over, and dreamed like the rest of my fellow beings the dreams that accompany the promenade of pure blood through young arteries, and now after a half century, I shall report these dreams and their awakenings, for the difference between the dream-world and what we are pleased to call reality is something which no poet, philosopher, or psychologist has yet explained. Whether we dream at night when our body vegetates, or our dreams overflow into our waking hours does not much matter. To dream is to exist. I dream therefore I am, might be the formula of a second Descartes. And who enjoys loftier dreams than a steeplejack? But alas! he must always return to earth, else perish aloft from the cold. When a boy I was called a Johnny-look-in-the-air, because of my reckless habit of rambling into obstacles, from moving locomotives to immovable lamp-posts. I suppose I was dreaming, at least I was walking in that pleasing haze we call egotism. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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