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The Dead

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Although eighty years separate John Huston's film from James Joyce's text, the presence of The Dead can be found earlier in European cinema, in Roberto Rossellini's Voyage in Italy (1953). Kevin Barry explores the extraordinary relationships between these three works, and the radically different aesthetics of fidelity and infidelity practiced by these exemplary artists of the twentieth century.
Folgt in ca. 15 Arbeitstagen

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16,50 CHF