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  • The Epistle of Paul to the Churches of Galatia (Classic Reprint)

The Epistle of Paul to the Churches of Galatia (Classic Reprint)

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Excerpt from The Epistle of Paul to the Churches of Galatia That Paul wrote this Epistle is shown by the external evidence of manuscripts, of early translations, of allusions beginning with the apostolic fathers, of formal citations beginning with the sub-Apostolic Age, and of uniform reception by the church down from her first attempts at forming a canon of New Testament Scripture, - in short, by every kind of external evidence which the nature of the case admits of. It is shown, too, by internal evidence, which here is quite irresistible, not only in the harmony of the Epistle, as regards doctrine and other indications of authorship, both with what is elsewhere ascertainable about Paul and his writings, and with the more general history and characters of the Apostolic Age, but also and especially in the manifest impossibility that this Epistle should have been written by any man but Paul. There was no period later than his lifetime in which any church party could have any interest in forging such an Epistle as this, or in which any section of the Christian church would have received such a forgery as genuine. And it may be safely said that, even in his lifetime, no creature could have written it but Paul, precisely in such a crisis - so fitted to call forth the characteristics of his utterance into almost exaggerated manifestation - as that which is implied in the Epistle throughout. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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