The Second Recension Of The Quignon Breviary, Vol. 1

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Excerpt from The Second Recension Of The Quignon Breviary, Vol. 1: Following An Edition Printed At Antwerp in 1537 And Collated With Twelve Other Editions To Which Is Prefixed a Handlist Of Editions Of The First And Second Recensions, TextThe editions collated for this work have been chosen ou no very definite principle save that of accessibility. With charac teristic generosity the Rev. W. Blew gave me access to those editions which belonged to his rich liturgica] library. Others have been found amongst my own books. As many as twelve editions have been collated. The year of the century in which the book appeared has been taken for the symbol of the edition. Thus 37 is the symbol of the following reprint, inasmuch as it follows nu edition of 1537, 38 is the symbol of nu edition of 1 5 38, and so ou.When etc. Has been added after the symbol of an edition it usually means that all the editions used for collation following after the date of the edition named have the same reading. With this exception, be it noted, that 6i, etc., means small gr011p of editions printed at Antwerp, beginning with an edition of the Plantin press in 1557, in which there is, besides arguments to the psalms, an index to the epistles and gospels read in the mass: for this work this index has been neglected. The symbol 61 etc., thus indicates collation of 61, 64, and 66, and appears chic¿y in the psalter for the arguments to the psalms.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.