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  • The Shadow of Dante in French Renaissance Lyric

The Shadow of Dante in French Renaissance Lyric

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This book presents an original interpretation of Maurice Scève's lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in light of the Vita nova, Commedia [Divine Comedy], and other works of Dante Alighieri, whose subtle influence on Scève has not been elucidated in depth by scholars, unlike the more evident references to the Canzoniere of Francesco Petrarca. Scholars generally consider the sequence of dense, epigrammatic dizains that comprise Délie to be an early example of French Renaissance imitation of Petrarch's lyric poetry, in a time when imitatio was an established literary practice, signifying the poet's participation in a tradition. While Petrarch's Canzoniere is an important source for Scève's Délie, both works are part of a long poetic lineage that includes Occitan troubadours. The book argues that the 'Petrarchan' label is problematic for Scève's Délie, and that Dante is a relevant predecessor and source.
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