The Stage in the Attic Theatre of the 5th Century (Classic Reprint)

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Excerpt from The Stage in the Attic Theatre of the 5th Century The principal thought in this thesis is contained in the third chapter, and it is this: that in the Greek theatre of the fifth century B. C. both actors and chorus stood in the orchestra. In establishing the truth of this thought the chorus is at all times a prominent element. It is, in fact, in great measure, the conduct of the chorus, and the relation that it sustains to the actors, that determine whether the actors as well as the chorus stood in the orchestra. It has seemed fitting, therefore, to devote the first chapter to tracing the development of the chorus from prehistoric times up to the time when it became an important element in the drama, and to devote the second chapter to describing the external characteristics of the chorus. Many statements are made in the first chapter without reference to the authorities whence they are derived. It may suffice to state here that the works that have been consulted and read in writing this chapter are the following: Homer: Iliad, Odyssey, Hymn to Apollo. Hesiod: Works and Days, Shield of Hercules. Herodotus: Historiæ. Aristotle: Problems, Ars Poetica. Catullus: Carmina. Muller: History Literature of Greece. Mure: History Literature of Greece. Mahaffy: History Literature of Greece. Grote: History of Greece. Smith: History of Greece. Jebb: Classical Greek Poetry. Moulton: The Ancient Classical Drama. Walford: Hand-book of the Greek Drama. Haigh: The Attic Theatre. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.