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- The Three-Cornered Hat (Classic Reprint)
The Three-Cornered Hat (Classic Reprint)
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Excerpt from The Three-Cornered Hat
It Has long been a matter of surprise that a ballet founded on the dance-rhythms of Spain has not been presented hitherto, particularly when one recalls the many months spent by the company in that country prior to their return to London, and Massine's increasing use in his choregraphy of the rhythmic stamping of the feet. Again, the company's repertoire is rich in ballets founded on the mythological legends of Greece and Rome - witness Midas, Narcisse, Daphnis and Chloe and the traditional dances of Spain, handed down from generation to generation, have, considered choregraphically, many similarities with the classic dances of antiquity.
The poses displayed in Tanagra figurines, the play of the arms and legs, the extreme throwing-backward of the head, are expressions of movements common both to the Greek and Spanish dance. The use of castanets may be cited as a further proof of affinity, for at ancient Rome, as in modern Spain, popular dances were cadenced by the click of castanets. The use of these instruments is shown clearly in drawings that may be seen in the British Museum and in Myron's famous statue, Dancing Satyr playing castanets, which is in the Vatican Museum.
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