The Youth of Beauty

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Excerpt from The Youth of Beauty: And Other Poems One of the most hopeful signs for the future is the appearance of a band of young poets in the land, anxious to turn away the reproach that the poetry which has been so long a proud national heritage is ours no longer, and among these young poets who, to a considerable native gift, have added a high seriousness and devotion to their art, Mr. Roberts occupies an honoured position, for he has justified the hopes aroused by his earliest work, and has now stepped beyond the dangers and fears that assail the path of the youthful poet. He has been wise and courageous in that he has avoided sensation and violence in an age when the unusual is acclaimed by a body of men who find no virtue in precedent, and worship the extravagant and bizarre. He has been content to tread the old paths, learning his art, and acquiring a technique which has qualified him for longer and more adventurous flights. 'A master of metre, ' as 'The Times' said, he has written narrative, lyrical and dramatic verse with success, and though it is early to predict in which field the poet will finally work, this versatility augurs well for the future. There is in Mr. Roberts' poetry a gentle spirit, somewhat brooding, and occasionally pessimistic, but he escapes the traditional fault of young poets by the light that emanates from his philosophy, and reveals a glory shining through the gloom of despair. To quote one lyric, we feel that - 'Art, with its deeper sight, has seen Something to which the world is blind.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.