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  • Up and Down (Classic Reprint)

Up and Down (Classic Reprint)

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Excerpt from Up and DownBellini and Tintoret, the push of the gliding gon dola round the corners of the narrow canals beneath the mouldering cornices and mellow brickwork, for I should love these things wherever they happened to be, and the actual spell of Venice would be potent if Venice was situated in the United States of America or in Manchester. But right at the back of all Venetian sounds and scents and sights sits enthroned the fact that the theatre of those things is in Italy. Florence has her spell, too, when from the hills above it in the early morning you see her hundred towers pricking the mists, Rome the imperial has her spell, when at sunset you wander through the Forum and see the small blue cam panulas bubbling out of the crumbling travertine, while the Coliseum glows like a furnace of molten amber, or pushing aside the leather curtain you pass into the huge hushed halls of St. Peter's, Naples has her spell, and the hill-side of Assisi hers, but all these are but the blossoms that cluster on the imperishable stem that nourishes them. Yet for all the waving of these wands, it is not Bellini nor Tin toret, nor Pope nor Emperor who gives the spells their potency, but Italy, the fact of Italy. Indeed (if in soul you are an Italian) you will find the spell not only and not so fully in the churches and forums and galleries of cities, but on empty hill-sides and in orchards, where the vine grows in garlands from tree to tree, and the purple clusters of shadowed grapes alternate with the pale sunshine of the ripened lemons. There, more than among marbles.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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