Vocal Score (Revised Edition) Of the Mikado, or the Town of Titipu (Classic Reprint)

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Excerpt from Vocal Score (Revised Edition) Of the Mikado, or the Town of TitipuCO N TE N ts. Overture git f. I. Chorus OF men 20 V 2. Song and chorus (nanhi-poo) song (sh Tush and Chorus) song (pooh-bah, with nan/ei-poo and fish-tush) recit. (nanhi-poo and pooh-bah) chorus with solo (ko-ko) song (k o-ko, with Chorus of Men) chorus OF girls 7. Trio (yum Yum, peep-bo, and piaf-sing, (three little maids from school are we) 8. Quartet (yum Yum, peep-bo, pitti-smg and pooh-bah, with Chorus of Girls) (so please you, sir, we much regret) 9. Duet Yum Yum and nauhi-poo) (were you not: to Ko - Ko plighted) ro. Trio (ko-ko, pooh-bah and Pish Tush) (i am so proud) II. Finale, act I (with aspect stem and gloomy stride) Gtt till. I. Solo (pitti - Szrzg and Chorus of Girls) (braid the raven hair) 2, (the sun, whose rays are all ablaze) x30 3. Madrigal (yum Yum, pitti-sirig, nanhi-poo, and Pish Tush) (brightly dawns our wedding day) 4. Trio (yum Yum, nauhi-poo, and ko-ko) (here's a how-de - do! If I marry you) 5. Entrance OF mikado and katisha (mi-ya-sa-ma, mi-ya-sa-ma) 6. Song (mikado and Chorus) (a more humane Mikado never did in Japan exist) 149 7. Trio and chorus (pitti-smg, ko-ko, Pooh Bah, and Chorus) (the criminal cried as he dropped him down) 8. Glee (pitti-sing, Katisha, K o - K o, pooh-bah, and Mikado) (see how the Fates their gifts allot) 9. Duet (nanhi-poo and ko-ko, with Yum Y um.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.