Wingless Desire in Modernist Russia

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In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia's volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin's "Mozart and Salieri, " became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state. Consequently, a new literary type emerged, and envy, described as "wingless desire" by Russia's chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin's "Author and Hero in the Aesthetic Activity" (1923), Zotova proposes that Salieri's envy could be the wingless embryo of the Bakhtinian authorship.

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